Tumblelog by Soup.io
Newer posts are loading.
You are at the newest post.
Click here to check if anything new just came in.

May 16 2012

sexyflexy
11:13
Reposted fromnameherhope nameherhope
sexyflexy
11:13
Reposted fromnameherhope nameherhope

May 15 2012

sexyflexy
08:02
4339_83db_500
a szkoda czasami
Reposted fromkorba korba vianebthat nebthat
sexyflexy
08:00
3639_9112
Reposted fromberabirsza berabirsza viathtwins4ever thtwins4ever
sexyflexy
07:58
2061_2adb
Reposted fromaconcagua aconcagua viamatero matero

May 11 2012

sexyflexy
12:58
After London.. Loving more and more..

April 30 2012

sexyflexy
11:22
Reposted fromRaya Raya
sexyflexy
11:21
5119_876c
Reposted fromsebner sebner viaRaya Raya
sexyflexy
11:20
1401_a138
Reposted fromNeverminnd Neverminnd viawoolowinka woolowinka

April 27 2012

sexyflexy
11:59
0203_ddfc
Fuckin Friday
Reposted fromsynicalcissors synicalcissors viajustynki justynki
sexyflexy
11:58
A potem mijają lata, dorastamy i dawne odczucia wydają się nam idiotyzmem.
— Paulo Coelho
Reposted fromrightnow rightnow viasloncepoburzy sloncepoburzy
sexyflexy
11:58
6844_9902
Reposted fromFatumLia FatumLia viamyname myname
sexyflexy
11:57
1734_0eae_500
Reposted frommariet mariet viamyname myname

April 24 2012

sexyflexy
19:56
8487_96d0
234
Reposted fromzagadka zagadka viathtwins4ever thtwins4ever
sexyflexy
19:54
5910_8b12
Reposted fromkasiatka kasiatka viathtwins4ever thtwins4ever
sexyflexy
19:35
3490_96c6
Reposted fromrozaliee rozaliee vianameherhope nameherhope
sexyflexy
19:31
sexyflexy
19:31
sexyflexy
19:21
2191_2c36
Reposted fromFoulBachelorFrog FoulBachelorFrog viaRaya Raya

April 20 2012

sexyflexy
07:49


Six Tips on Writing from John Steinbeck

  1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
  2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
  3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person — a real person you know, or an imagined person and write to that one.
  4. If a scene or a section gets the better of you and you still think you want it — bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
  5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
  6. If you are using dialogue — say it aloud as you write it. Only then will it have the sound of speech.
Reposted fromtrup trup viaSable Sable
Older posts are this way If this message doesn't go away, click anywhere on the page to continue loading posts.
Could not load more posts
Maybe Soup is currently being updated? I'll try again automatically in a few seconds...
Just a second, loading more posts...
You've reached the end.